Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Picture: Iko Freese/drama-berlin.de
Ralph Benatzky

The White Horse Inn

A Singspiel in three acts
Libretto by Hans Müller and Erik Charell
Freely based on the comedy by Blumenthal and Kadelburg
Song texts by Robert Gilbert
Oct '12
Su
Sa
Nov '12
Sa
Dec '12
Su
Tu
Su
Jan '13
Su
Sunday, 14. October 2012
18:00 - 21:30
In the original 1930 version, the protagonists in Sebastian Baumgarten’s successful production of this Berlin revue-operetta mercilessly lay bare the knowingly biting tone of the piece – none more so than Dagmar Manzel as the proprietress, Max Hopp as her head waiter Leopold, and Kathrin Angerer as Ottilie, the guest from Berlin. Even in the idyllic Salzkammergut, status and money are what ultimately count. “Thanks to Baumgarten’s direction, The White Horse Inn proves to be a clever piece that knows exactly the conditions it accommodates itself with.” [Frankfurter Allgemeine Zeitung]

3 hours 30 minutes
Introduction 30 minutes before the beginning of the performance, Foyer
Act 1

Leopold Brandmeyer, head waiter at the White Horse Inn »Weißes Rößl«, is in love with his boss, Ms Josepha Vogelhuber. She, however, has little patience for his passionate overtures, because, like every year, she is eagerly awaiting the arrival of the solicitor, Erich Siedler, for many years a regular guest at the inn on lake Wolfgang. Number 4, his favourite room, is already prepared. To keep his rival out of the house, Leopold lets room number 4 to Wilhelm Giesecke, textile manufacturer from Berlin, who has arrived with his daughter Ottilie. When Siedler arrives later, this leads to a predicable problem. Giesecke, already in a bad mood because of a patent dispute with Suelzheimer’s company, is not exactly enthusiastic to discover not only a rival for room number 4 but, to top it all, also the solicitor of the opposing party. Siedler, in turn, is very interested in Ottlile. In this relationship, Leopold sees his chance to rid himself of his rival. Meanwhile, Josepha continues to show disinterest in his advances.

Act 2

After a quarrel, Leopold quits his job and takes a room as a guest in the White Horse Inn. Ottilie and Siedler continue to get to know each other better. Giesecke has also acclimatised himself. Together with Sigismund Sülzheimer, whom Siedler has appointed, Prof. Hinzelmann and his daughter Klärchen also arrive. Siedler convinces Giesecke to resolve the patent dispute by marriage and, in this connection, is given the task to prepare Ottilie to this end.  The Emperor has announced his intention to attend the target shooting festival. Leopold – invited to attend a meeting of the town council instead of Josepha - manages to arrange that the Emperor shall stay at the White Horse Inn. He brings the news to Josepha, who cannot cope with running the hotel on her own. She asks him to help her, agreeing to follow his instructions. The situation comes to a head when Leopold, seeing Siedler and Josepha together during the arrival of the Emperor, reveals his true feelings in public.

Act 3

Josepha explains her situation to the Emperor. He advises her to be content with what she has. The preparations for Siedler's wedding are in full swing. Meanwhile, Sülzheimer has won Klärchen over and is also planning to get married. Leopold goes to get his testimonials. But, instead of firing him, Josepha hires him - as her husband. Happy end all round.

Crew

Musical direction
Stage designer
Janina Audick
Costumes
Nina Kroschinske
Choreography
Brigitte Cuvelier
Dramaturgy
Ingo Gerlach
Light
Franck Evin
Stefan Bischoff, Jana Findeklee

Cast

Josepha Vogelhuber
Leopold Brandmeyer, Zahlkellner
Wilhelm Giesecke, Fabrikant
Ottilie, seine Tochter
Kathrin Angerer
Dr. Erich Siedler, Rechtsanwalt
Sigismund Sülzheimer
Prof. Dr. Hinzelmann, Lehrer
Klärchen, seine Tochter
Der Piccolo
Miguel Abrantes Ostrowski
Der Kaiser
Briefträgerin Kathi
Bühnenklavier
Daniel Regenberg
BVG Orchester Berlin e.V.

Enjoy an expert guided tour behind the scenes before the performance, followed by a sophisticated three-course meal in the special atmosphere of the opera canteen before the curtain goes up! 
Wehope our programme will arouse considerable interest, and as always we extend ahearty welcome to all visitors at the Komische Oper Berlin.
Once again this season at the Komische Oper Berlin concludes with a week-long festival. Review the new productions of the season once again on seven consecutive days. 
Hans Christian Andersen’s fairytale about lies, self-deception and vanity becomes a lively satirical musical comedy in the hands of Czech composer Miloš Vacek (1928 – 2012).