Picture: Iko Fresse / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Picture: Ilko Freese / drama-berlin.de
Picture: Ilko Freese / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Picture: Ilko Freese / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Picture: Ilko Freese / drama-berlin.de
Picture: Iko Freese / drama-berlin.de
Claudio Monteverdi / Elena Kats-Chernin

Orpheus

Favola in musica in a prologue and five acts (1607/2012)
Sep '12
Su
Sa
Oct '12
We
Fr
Nov '12
Su
May '13
We
We
Jun '13
Sa
Sa
Jul '13
Fr
Sep '13
Th
Fr
Oct '13
Th
Sa
Su
Nov '13
Sa
Sunday, 16. September 2012
11:00
“A performance of such rapturous, fantastic, colourful vitality that it snatches away the fog from your ears and eyes, and you experience nothing less than the birth of theatre.” [Die Zeit] Barrie Kosky’s powerful and colourful staging of Orpheus – one of last season's most popular productions – begins as a boisterous festival of music and love in an Arcadian paradise, going on to tell the story of Orpheus's journey through the underworld as a voyage to himself. The usual new instrumentation by the Uzbekistan composer Elena Kats-Chernin is also a colourful touch. “An unreal, magic world, artificial and enchanting at the same time – Dionysian.” [Berliner Zeitung]
2 hours 10 minutes
Introduction: 30 minutes before the beginning of the performance, Foyer  

Wehope our programme will arouse considerable interest, and as always we extend ahearty welcome to all visitors at the Komische Oper Berlin.
Once again this season at the Komische Oper Berlin concludes with a week-long festival. Review the new productions of the season once again on seven consecutive days. 
Hans Christian Andersen’s fairytale about lies, self-deception and vanity becomes a lively satirical musical comedy in the hands of Czech composer Miloš Vacek (1928 – 2012).